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Tulip Era : ウィキペディア英語版
Tulip period

The Tulip Period or Tulip Era (21 July 1718 - 28 September 1730) (Ottoman Turkish: لاله دورى, (トルコ語:Lâle Devri)) is a period in Ottoman history from the Treaty of Passarowitz on 21 July 1718 to the Patrona Halil Revolt on 28 September 1730. This was a relatively peaceful period, during which the Ottoman Empire can be said to have begun to orient itself towards Europe.
The name of the period derives from the tulip craze among the Ottoman court society. Cultivating this culturally ambiguous emblem had become a celebrated practice.〔Ariel Salzmann, “The age of tulips”, 84〕 The Tulip Period illustrated the conflicts brought by early modern consumer culture and was a shared material symbolism. During this period the elite and high-class society of the Ottoman Period had established an immense fondness for the tulip, which were utilized in various occasions. Tulips defined nobility and privilege, both in terms of goods and leisure time.
== Rise and Growth ==

Under the guidance of Sultan Ahmed III’s son-in-law, Grand Vizier Nevşehirli Damat İbrahim Pasha, the Ottoman Empire embarked on new policies and programs during this period, which established the first Ottoman language printing press, and promoted commerce and industry.
The Grand Vizier was concerned with improving trade relations and enhancing commercial revenues, which would help to explain the return to gardens and the more public style of the Ottoman court during this period. The Grand Vizier was himself very fond of tulip bulbs, setting an example for Istanbul’s elite who started to cherish the tulip’s endless variety in paint and celebrate its seasonality as well.〔Ariel Salzmann, “The age of tulips”, 93〕
The Ottoman standard of dress and its commodity culture incorporated their passion for the tulip. Within Istanbul, one could find tulips from the flower markets to the plastic arts to silks and textiles. (page 86) Tulip bulbs could be found everywhere; the demand grew within the elite community where they could be found in homes and gardens.
Therefore, the tulip is a symbol with mythical appeal, which can be found from Ottoman palaces to their clothing, which sustains a memory of the Ottoman Empire’s social past. The tulip can be seen as a romantic monument representing the wealthy and elite, and the fragility of despotic rule.〔Ariel Salzmann, “The age of tulips”, 97〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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